The Collage that shows the growth of human sexuality
By Me
Friday, November 13, 2009
Thursday, October 22, 2009
QUEEN HAPSHEPSUT
I was born in the 15th Century BC
Royal lineage
When both of my brothers and my farther passed, I was appointed to the throne.
Begin a Pharaoh was unprecedented and unheard of.
I was able to stay Queen until my nephew came of age
Me and my nephew ruled jointly until 1473
I declared myself as a pharaoh
Handled all the affairs of the nature with the full support of the high Priest of Amun. Hapuseneb and other officials
Respected by Egyptian people
Accomplishments
Built temples Beir el Bhari “ lover of silence”
Organization of a journey to the land of punt to trade brought back precious and rare articles back to enhance the wealth for Egyptian nation
Trade trees, ebony, ivory, gold, cinnamon, incense, eye paint, apes, monkeys and skins of southern panthers
built two giant obelisks, each about one hundred feet high, and erected them in Thebes
I ruled for about 15 to 21 years after taking the throne
A huge temple, called the 'morning temple,' was built to honor Hatshepsut
http://www.hyperhistory.net/apwh/bios/b1hatshepsut_3hm.htm
http://www.ancient-egypt-online.com/accomplishments-of-queen-hatshepsut.html
Tuesday, October 20, 2009
Artist Jean-Michel Basquiat photographed in 1982 by James Van Der Zee
In Harlem in the 1920s, photographer James Van Der Zee captured a side of America rarely seen in those days: black middle-class life. Well-heeled citizens with fancy cars and furs -- and the means to pay for fine art -- flocked to "Guarantee Photo," Van Der Zee's prestigious studio.
Once there, Van Der Zee worked photography magic, posing his proud clientele of the Harlem Renaissance to tell life stories. Many he'd give costumes to wear and surrounded them with props such as backdrops and architectural objects. All told, Van Der Zee's work took on a 'tableaux vivants' quality, styled with a Victorian or Edwardian sensibility. It's these images that most distinguish Van Der Zee's work.
In Harlem in the 1920s, photographer James Van Der Zee captured a side of America rarely seen in those days: black middle-class life. Well-heeled citizens with fancy cars and furs -- and the means to pay for fine art -- flocked to "Guarantee Photo," Van Der Zee's prestigious studio.
Once there, Van Der Zee worked photography magic, posing his proud clientele of the Harlem Renaissance to tell life stories. Many he'd give costumes to wear and surrounded them with props such as backdrops and architectural objects. All told, Van Der Zee's work took on a 'tableaux vivants' quality, styled with a Victorian or Edwardian sensibility. It's these images that most distinguish Van Der Zee's work.
This Artist Is BAD
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